We believed is a case of the cinema market. Why do not often let the audience decide so directly and specifically the fate of a film. It was released in thirty copies in a few days it did a bang, with queues at cinema box office and who do not know where to put the people, and so the distribution company should run for cover. Result: even on the weekend will be put into circulation many more copies. The market did not justify more than thirty, say to 01, stable company RAI Cinema. Mario Martone, with his film the Risorgimento, the market has defied, and came out the winner.
Tonight Martone will be at Perugia, the host of imaginary Festival. We believed present at the Zenith, 20.30, together with Enrico Ghezzi and actress Francesca Inaudi. Reacts with satisfaction the increase in copies, not in anger.
"will be missed. Moreover, the story of this film was very long and tormented. We have always moved with great difficulty. All: I, the actors, the troupe. We wanted to hold on, despite the circumstances, although sometimes arrive on time someone told us to give up, that money is not enough, you could not anymore. We have not given up, and here we are. This rock distribution is almost a physiological thing. "
But was it really so difficult to realize that thirty copies could not be enough?
"those of Rai I understand them. In fact, the market had a point. But what happened to this beautiful, this tilting set up by the spectators. It was a sort of enlargement of that 'we' that hath been extended by concentric circles who has designed the film to those who have achieved, and finally to them. And there's one more thing I want to say. "
Please.
"This is a useful and important signal to all those who make film and theater without wanting to bend the standards to trade. Sometimes courage is bent. "
Can you explain, however, this reaction of the public? The film will definitely be nice, but just as surely not enough that a movie is good to get a hit like that.
"Sure. I threw the two elements. First, it is an ensemble film, with many actors in thickness. It seems to say the least, and instead I'm sure that people have just the pleasure of going to see them all together. Then there is the issue in question. The history and the birth of our country, of course, interested in many, whatever people may say. At this time, then. "
We believed is a film that was head man of the South, inevitably. Do you think that would have been different if he had Men's North?
"Absolutely. But you see, it is important not to fall in facilitating North-South relations. The film sees the impact on the masses of the Piedmontese army, the idea emerges as the unification of Italy annexation of the South. At the same time show the partisans as a chorus of different dialects, genuine cases of people. In short, it dissects the issue from the political point of view, not caricaturist, or even racial. I am convinced that North and South can understand, you can love. I love the North, very much. There is a widespread feeling that the beauty of Italy lies in its diversity. As to the Risorgimento, I repeat, the problem was political, the problem was in opposition to the republican hypothesis, then materialized, authoritarian monarchy. The key north-south is not enough. "
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