Thursday, December 30, 2010
Wedding Canned Cupcakes
Wednesday, December 29, 2010
Caracol Mexico Webcam
Piazzoli Sergio is a busy man. And thank goodness. Not only because if he were with his Musical Box to organize concerts throughout the year up and down for some live music Umbria we would not know even how it is made. It seems that if it were not Piazzoli a busy man, for instance, tonight we could not hear a concert by Vinicio Capossela Teatro Morley. "I invited to come to one of the dates that I always do at Christmas, but he could not. And then, I said, I am going to Perugia, "said Vinicius.
jokes Maybe, maybe not. He and pitches have been friends for years. A few less accurate after the winds from the first disc Capossela, about one o'clock and thirty-five. "Sergio was one of the first promoter to organize my concerts. The first one was the After Bomb Terni, then there was one at the Sala dei Notari, Perugia. Since then he has created a relationship of friendship, and above all a kind of complicity in music. That is based not so much about my concerts organized by him, as well as those who go to see together. For Umbria Jazz, Rockin 'Umbria when it happens. And then hosted me several times at her home in Perugia, I got to know people and places that are very close now. "
But it was a long time since you went to play here.
"Yeah. The last time was in 2003, there was still the Turreno. This time, then, the opportunity was missed. The Morley is splendid. I remember that I was thunderstruck when I heard Joao Gilberto, in '96. Let's say that tonight is the perfect culmination of my relationship with Sergio and the city. No coincidence that the concert will be based primarily on the repertoire of the early records, and training is also vintage. There will be Enrico Lazzarini, Mirco Mariani, Giancarlo Bianchetti, Piero smell and a great special guest Jimmy Villotti, who had played right into my first record. "
turn the page. Your upcoming gigs, after Perugia, will be in Paris for Valentine's Day, and London the next day. Besides, now your thickness is recognized internationally. What will change for you, when you play abroad?
"Well, playing outside is always an adventure. In some ways you're more free to renew your music, but there is a language barrier, not just stuff. This is why I always try to learn two or three formulas in the local language so that the public-key reading. In New York, for example, we played the first time in 2007 at a place called Joe's Pub. It was a real show, not only music but also as entertainment. This year, however, we did a whole tour, rent a tour bus and touching New York, Toronto, Montreal, Chicago, San Francisco and Losa Angeles. It's very fascinating, although it is not easy to carry it forward in time. "
From America to our home. Last November, you made a surprise appearance at MEI (Meeting of the Labels Independent) of Faenza. Do you think than two decades ago for a young emerging is more difficult or easier?
"Al Mei I sang three songs at the concert of my old pal Mirco Mariani. Some time ago m'aveva proposed to participate in its new project, called Greetings from Saturn. They made this album which is titled Talk to Anna, where I sing three songs. I sang at the same Mei, exactly. As for those who started playing today, I think he can harness the great opportunities of technology. Making good music is much simpler and more economical than once. At the same time, large industrial productions have the same expensive than before, despite the dramatic drop in sales. It is a difficult situation, and it is difficult to find solutions. "
But there is something you like, in the Italian indie scene?
"Sure. For example, Edda, the former lead singer of tribal rhythms, last year made a beautiful record, Semper Biot: really impressed me. Then there is the whole new legion songwriting, or type Brondi Dente. But I am very fond of the old. Get the same Villotti. Or the many musicians I work with: Alexander 'Ace' Stefani and her Guano Padano, Vincent 'Electric Boom' Vases, Zeno De Rossi. And finally I'd like to mention a group of Barcelona. They are called Cabo San Roque. Make mechanical music, build tools exceptional. Some time ago I was asked to sing a song in their album, a poem by Verdaguer in Catalan, is called Atlantis. So I asked him to play their fantastic mechanical orchestra in my new album, I've just finished recording and will be released in March. In times of crisis, the exchange between musicians is very fashionable. "
Monday, December 27, 2010
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Friday, December 24, 2010
Where Do They Sell Eye Primer
Friday, December 3, 2010
Phosphate Buffer 20mm
Urban Tomorrow night, less than two months the release of their new album Out , the ministers coming. A career fulminant theirs. From Milan to indie icon of Italian rock - a rock of almost main-stream - in a few years. Considering how little time has passed from their beginnings when they were put under contract by a major label like Universal, a case almost unique in our country. Federico Dragonja, guitarist and the group mind, you know.
"The merit is competition, "he says. "We have always believed very much in what we were doing, and we put up a great beginning to emerge. But the trouble is that the situation of the Italian rock is alarming. For this we got to Universal so soon. "
It seems that you take it for granted that being published by a major label for a band that comes from the underground, is a point of arrival. Do you think that you can not do good things with independent label?
"In America or Britain, there are many independent labels with weight and money to invest, with great talent and ability. There, a major label may not necessarily be a point of arrival. In Italy it's different. Just think that the Italian law for the record label does not even exist as a legal entity. Then, I can talk about our case. Initially we had even established our own label. Then, two months after the first disc, the proposals have come from Sony and Universal. At the end we chose the Universal and we are satisfied. They liked the fact that our main interest were the songs, apart from the attitudes or political stances. We went well because after half a year of struggle we got the contract we wanted. "
mean?
"Right of veto over everything. From the cover photo, from advertising to news. And the best part is that this law have never been called upon to exercise it. "
Ministers are in the middle ages by X-Factor. What do you think of the talent show and who goes there?
"I state that I do not own a television, so my opinion is certainly incomplete. That said, the good news is that the talent show may have put the public in relation to the less superficial aspects of music, what's behind a song, with technical issues. On the other hand, there is always this respect the authority of the elders who can not work. If the boys formed on old music, you can not draw from a lot. The authors of reference, then, are bad. This is the problem of Italian pop music, which, unlike the English or American is by no means cured. I love well-done pop, I love Robbie Williams, Simply Red, I think that even Toxic by Britney Spears is a piece from fear. But in Italy there is no cure. Except in part Tiziano Ferro: To listen to songs with the rest almost bases midi with lyrics botched. It's bad pop that hurts not pop in him. "
Turning on the internet if there is to come across sites that fans of Ministers recommended to listen to artists such as teeth, the lights of the power plant or Baustelle. But do you really got to do something with them?
"Look, with teeth and lights are great friends first. Join us for dinner, see you often. In general, we share with them a certain way of seeing things. We all want to grow up, singing in Italian, we are very ambitious .... "
a minute. A flash in August 2009, Festival Roccolo, San Giustino. On stage, the first tooth, then you. They were not exactly those nice words you said during your respective concerts. You are now friends or was it staged?
"Of course it was staged. That evening we had a great time! The people took us seriously, and we have even more fun. Fantastic. "
We close out the musical fence, nor like the types of Universal. Would you get us on top of the Leaning Tower of Pisa in support of the protests against the reform of university Gelmini?
"But We are not famous enough to be useful. I believe that everyone should begin to engage in its small way, in its territory. Here in Milan we play often for free when it comes to supporting causes we believe is right: the Conchetta, the streets, everywhere. In general we like the projects from the bottom, so we refused Grillo and others. Large containers are good for nothing, do not educate people to a direct relationship with reality. What is the make a transfer with your eyes closed? That said, the events of recent days are sacrosanct. But even in individual faculties there are many little things that do not go. My idea is that you should start from there, strive to address the problems for everyone, the first getting to protest a reform plan that is already in the Senate. "